Landscape/Architectural

Peter Alexander Hay, RI, RSW, RBC (English) 1866 – 1952
Mont St. Michel, watercolor, signed/dated 1921 lower right, inscribed lower left, 12.5″ x 17.75″ sight, 22″ x 27″ frame

Bill Bailey (American)
Contemporary
Humphreys Mill, watercolor, signed l/r,
21.5″ x 29.5″ sight, 24.5″ x 32.5″ frame

An Illinois Farm, watercolor, signed, large matt. Painting framed with plexiglass, white matt and old tone metal surround.

T. Booth (American)
Contemporary
Colorado Winter Scene, oil on canvas board, signed/inscribed December 1989,
20″ x 24″, 23″ x 27″ frame

James Kay, R.S.A, R.S.W. (Scottish)
1858-1942
Classical landscape, pastel, indistinctly signed l/l, 8.5″ x 12″ sight, 18″ x 21″ frame

David Smith, R.E. (English)
1920 – 1998
Waterloo Bridge, mixed media, signed/dated 1973, 11″ x 16″, unframed

David Zimmerman (American)
Contemporary
Northern Pasture, Sunny Morning Effect, oil on panel, signed l/r, 16″ x 20″ sight, 19″ x 23″ frame

John Murray Thomson RSA, RSW, PSSA (Scottish)
1885-1974
A Bed of Carnations, watercolor, signed, 8″ x 12″ unframed, title was inscribed on the original frame

Charles H. H. Burleigh (English)
1875-1956
Corfe Castle, Dorset, oil on canvas, signed l/l, 16″ x 20″ sight, 20″ x 24″ frame

Edward Vuillamy (English)
1876 – 1962
Extensive landscape, watercolor, signed/dated 1923, 13″ x 18″ sight, 21.75″ x 26.5″ frame

School of
Paul Cézanne (French)
1839 – 1906
Fishing shack, oil on canvas laid down to board, 16.5″ x 20.5″ sight, 20″ x 24″ frame

Moira Ferrier (Scottish)
Contemporary
Rumbling Bridge, Perthshire, watercolor, signed l/r, 27″ x 22″, unframed

Berthold Harris (Austrian)
1885 – ?
Mountain landscape, oil on canvas, signed Harris l/r, 24″ x 36″ sight, 31″ x 43″ frame (not included)

Max Hofler (English) 1890 – 1962
Landscape Sketch, watercolor, unframed sheet from sketchpad, 8.5″ x 11″

European School
Mid-20th Century
Through the Woods, oil on canvas, signed l/r, 22″ x 28″, unframed

Walter James Roberts (English)
1907 – 1998
Peckforton and Beeston Castles, Cheshire, watercolor, signed l/l,
15″ x 20″ sight, 20″ x 30″ frame

Andrew Benjamen Donaldson (English)
1840 – 1919
Luneburg, ink and wash, signed in monogram in the image, full signature in the margin, 8″ x 15.75″ image, 13 7/8″ x 19.75″ sheet, unframed

Luneburg #2, watercolor, signed in monogram dated 1887, 15.75″ x 8 1/8″ image, 20″ x 12″ sheet, unframed

English School – 19th Century
Alpine Landscape, watercolor, about 11″ x 9″, unsigned, matted

Nisbet, Robert Buchan RSA, RSW (Scottish)
1857 – 1942
Sheep Grazing, watercolor, signed initials l/l, 6.5″x11.75″ sight, 10″ x 15.25″ frame

Sir William Nicholson (English) 1872 – 1949
The Stone Bridge, watercolor, signed l/r,
9.75″ x 13.75″ unframed

William Tatton Winter RBA (English)
1855 – 1928
Pont Aven, Brittany, watercolor, signed/ inscribed l/l, 14.75″ x 9.75″ unframed

Alfred Gomersal Vickers (English)
1810-1837
Returning from the mill, watercolor, signed verso, 10″ x 13 1/2″ sight, 18″ x 21″ frame

Roland Spencer Ford (English)
1902 – 1990
Canal Scene near Wem, Shropshire, watercolor, 12.5″ x 19″ sight, 20.5″ x 26.75″ frame

Lorenzo Latremouille (Canadian)
Mid-20th Century
Winter Stream, oil on board, signed, c. ” x 14″, unframed.

Jean Baptiste Armand Guillaumin (French) 1841 – 1927
A Cloudy Day, watercolor, signed l/r, 15″ x 10″ unframed

Thomas Marjoribanks Hay RSW (Scottish)
1862 – 1921
Colonsay, watercolor, signed l/m, inscribed/dated 1910 l/l,
5″ x 7″ sight, matted, unframed

Joseph William Arcier (American)
1909 – 1973
Haystacks, signed/dated 1948 verso,
19 3/8″ x 25.25″ unframed

Robert Hope RSA (Scottish)
1869-1936
Evening on the Teviot, oil on canvas (laid down), signed, framed.

M. Bradley
Mid-20th Century
City View, oil on canvas, signed l/l,
24″ x 36″, unframed

James Garden Laing RSW (Scottish)
1852 – 1915
Bramford Church, Suffolk, watercolor, signed/inscribed l/l, 9.5″ x 13.5″ sight, 18.5″ x 22″ frame

William Holt Yates Titcomb (English)
1858 – 1930
News from the Front, watercolor, signed, c. 21″ x 17″ framed

W. Gampp (European)
Late 19th/Early 20th Century
Late summer landscape,
oil on canvas, signed, 18.25″ x 25.5″ sight, unframed.

Percy Hague Jowett
RWS, NEAC, NS, ARCA (English)
1882 – 1955
French Street Scene, watercolor, signed l/l, 16.25″ x 12.25″ sight. 25.0″ x 20.5″ frame

Arthur R. Young (American or British)
20th Century
Lakeland Fells, watercolor, signed
16″ x 21″ sight, 18″ x 23″ frame

Maurice Lean (French)
Mid 20th Century
Street, Church, and Figures, oil on board, signed, l/r, dated ’66, 19.5″ x 14.5″, unframed

Robert Gemmell Hutchison (Scottish) R.B.A., R.O.I., R.S.A., R.S.W.
1860-1936
At Crail, watercolor, signed initials/inscribed l/l, 13.5″ x 9.75″ sight, 22″ x 17.5″ frame

Thomas Bonar-Lyon (Scottish)
1873 – 1955
A Scottish Landscape, oil on plywood, signed l/l, 11.25″ x 14.5″ sight, 15.0″ x 19.0″ frame

Robert Eadie RSW (Scottish)
1877 – 1954
Windmill at Abbeville, watercolor, signed, 12.5″ x 10.25″ sight, 17.0″ x 14.25

George, Sir Ernest RA, RE, PRIBA (English)
1839 – 1922
Rumbling Bridge, Perthshire, watercolor, signed initials, l/r, about 9.25″ x 6.5″ sight, about 19″ x 16″ frame

Robert Payton Reid A.R.S.A. (Scottish)
1859 – 1945
The Forth Bridge from North Queensferry, oil on board, signed, 9.5″ x 13.25″ sight, 18.5″ x 22.5″ frame

J. Lamonica, (Unknown)
20th Century
Mediterranean Villa, oil on canvas, signed l/r, dated 1962, 34″ x 40″ frame

Mary C. Davidson RSW (Scotland)
1865-1951
View over Dean Village, Edinburgh, watercolor, signed, about 12″ x 15″ sight, about 16″ x 19.5″ frame

William Bradley Lamond RBA (Scottish)
1857 – 1924
The Lookout, Authmithie, watercolor, signed l/r, 7″ x 10″ sight, 14.5″ x 17.25″ frame

Line’ Tutwiler (American)
Contemporary
Ipswich Historic Home, oil on canvas, signed, 7.5″ x 9.25″ sight, 14″ x 16″ frame.

Scottish School c. 1900
Wallace Monument, River Forth nr. Stirling, gouache, signed ? Maxwell, 1.6.75, 5″ x 7″ unframed